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Gagosian Quarterly: Winter 2022 Issue
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Gagosian Quarterly: Winter 2022 Issue

Gagosian Quarterly: Winter 2022 Issue

The Winter 2022 issue of Gagosian Quarterly features Anna Weyant’s Two Eileens (2022) on its cover. Inside this issue, Emma Cline traces the boundaries between terror and hilarity in Weyant’s new paintings; Roxane Gay guest-edits a special supplement focusing on some of today’s leading Black female artists; Richard Calvocoressi interviews Frank Auerbach; the editors of a recently published monograph on the work of Walter De Maria discuss the project; Anselm Kiefer responds to Hans Ulrich Obrist’s questionnaire; Venita Blackburn’s ghoulish love story concludes in a final installment; and much more.

$6.00

Original: $20.00

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Gagosian Quarterly: Winter 2022 Issue

$20.00

$6.00

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Gagosian Quarterly: Winter 2022 Issue

The Winter 2022 issue of Gagosian Quarterly features Anna Weyant’s Two Eileens (2022) on its cover. Inside this issue, Emma Cline traces the boundaries between terror and hilarity in Weyant’s new paintings; Roxane Gay guest-edits a special supplement focusing on some of today’s leading Black female artists; Richard Calvocoressi interviews Frank Auerbach; the editors of a recently published monograph on the work of Walter De Maria discuss the project; Anselm Kiefer responds to Hans Ulrich Obrist’s questionnaire; Venita Blackburn’s ghoulish love story concludes in a final installment; and much more.

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The Winter 2022 issue of Gagosian Quarterly features Anna Weyant’s Two Eileens (2022) on its cover. Inside this issue, Emma Cline traces the boundaries between terror and hilarity in Weyant’s new paintings; Roxane Gay guest-edits a special supplement focusing on some of today’s leading Black female artists; Richard Calvocoressi interviews Frank Auerbach; the editors of a recently published monograph on the work of Walter De Maria discuss the project; Anselm Kiefer responds to Hans Ulrich Obrist’s questionnaire; Venita Blackburn’s ghoulish love story concludes in a final installment; and much more.

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